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(on Brian Wilson and the films of Wes Anderson)
by Jean-Philippe Tessé
Arcadia, Here and Now
by Emilie Renard
Emilie Renard’s L’Arcadie: ailleurs et autrefois, ici et maintenant et l’année prochaine is a project—built around a central text expounding her approach—that comparatively analyses numerous writings, pictures, and documents related to the notion of Arcadia. Study of the myth of Arcadia allows her to shed light on its multiple appearances in contemporary art, articulating notions of counter-culture, of collectivity, of community, and of an unknown or idealized “elsewhere.” Renard’s tentacular critical approach stems from research that attempts to explore what might now constitute a major artistic shift. It also includes an original method of categorization, organized into four main groups divided into subgroups, themselves composed of various elements. This collage-type method triggers startling ramifications, not unlike one of the explicit sources of the author’s technique, namely Dan Graham’s interpretative approach. Indeed, Graham’s text ARCADIA , translated into French and placed in perspective by Renard, occupies a specific place in the project.
Renard is an art critic and curator who lives and works in Paris.
La vague et le vague. Gilles Deleuze on surf
by Arnaud Viviant
Gilles Deleuze on surf, la vague et le vague, a “performance lecture” by Arnaud Viviant, implements a kind of free, intellectual, and progressive drift within the philosophy of the “surf” concept. From Wikipedia to surf music and from the Beach Boys to Gilles Deleuze, Viviant sketches a theory of pop and of our contemporary relationship to culture.
This video piece documents a lecture given at CAPC in the context of a symposium titled A travers le miroir. La culture pop et au-dela (CAPC musée d’art contemporain de Bordeaux, December 7–8, 2007).
Daniel Johnston R.I.P
by Wilfried Paris
In this article, Wilfried Paris adopts a unique approach to one of the key figures of pop culture: Daniel Johnston. An American songwriter born in 1961, Johnston is a mythical figure in more ways than one, since his life and various activities (including drawing) make him an archetypal (post)modern (anti)hero. An epic text—halfway between rock criticism, pop philosophy, and metaphysical fiction—reflects the ambivalence of its subject.
Wilfried Paris, a musician and journalist, here offers a unique, dense, almost imaginary analysis—the first of its kind—in the form of a portrait of one artist dreamed up by another.