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A Pop Project in a Hick World
(Or, How Ultralocal Becomes a Respectable Place)
by Guadalupe Echevarría
In this text, Guadalupe Echevarria compares examples of the political power of pop in various yet specific contexts at different points in history. From the birth of American folk music to Brazilian tropicàlia via Bob Dylan, her essay offers insight into the transgressive function of experiences that juxtapose art, popular culture, and politics in an age of ultralocal critical theory.
Echevarria is the director of the École des beaux-arts in Bordeaux.