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A Pop Project in a Hick World
(Or, How Ultralocal Becomes a Respectable Place)
by Guadalupe Echevarría
In this text, Guadalupe Echevarria compares examples of the political power of pop in various yet specific contexts at different points in history. From the birth of American folk music to Brazilian tropicàlia via Bob Dylan, her essay offers insight into the transgressive function of experiences that juxtapose art, popular culture, and politics in an age of ultralocal critical theory.
Echevarria is the director of the École des beaux-arts in Bordeaux.
La vague et le vague. Gilles Deleuze on surf
by Arnaud Viviant
Gilles Deleuze on surf, la vague et le vague, a “performance lecture” by Arnaud Viviant, implements a kind of free, intellectual, and progressive drift within the philosophy of the “surf” concept. From Wikipedia to surf music and from the Beach Boys to Gilles Deleuze, Viviant sketches a theory of pop and of our contemporary relationship to culture.
This video piece documents a lecture given at CAPC in the context of a symposium titled A travers le miroir. La culture pop et au-dela (CAPC musée d’art contemporain de Bordeaux, December 7–8, 2007).