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La vague et le vague. Gilles Deleuze on surf
by Arnaud Viviant
Gilles Deleuze on surf, la vague et le vague, a “performance lecture” by Arnaud Viviant, implements a kind of free, intellectual, and progressive drift within the philosophy of the “surf” concept. From Wikipedia to surf music and from the Beach Boys to Gilles Deleuze, Viviant sketches a theory of pop and of our contemporary relationship to culture.
This video piece documents a lecture given at CAPC in the context of a symposium titled A travers le miroir. La culture pop et au-dela (CAPC musée d’art contemporain de Bordeaux, December 7–8, 2007).
by Patricia Falguières
Here we are introduced to the work of the uncategorizable Sister Corita Kent through the tale of her rediscovery by another unique artist, Julie Ault, a co-founder of Group Material in New York in 1980. In SISTERS, Patricia Falguières recounts a recent chapter in art history that suggests some reasons for this ineluctable encounter of two major artistic figures: on the one hand, Sister Corita, a nun working in California in the 1950s and ‘60s in a realm somewhere between pop culture, political activism, and religion, and on the other hand Ault, whose artistic, critical and curatorial work constantly raises issues of exhibition, design, and politics.
Falguières is a French historian who teaches at both the École des Hautes Ètudes en Sciences Sociales in Paris and the École des beaux-arts in Bordeaux.
Lux & Ivy Favorites
by Archives 4 taxis
Hey, they look like the living dead!”
“Don’t panic! I’d rather think of jellyfish.”
Freshly exhumed from the 4 Taxis archive, this excerpt comes from Lux & Ivy Favorites, a videotape devised by the Cramps at the request of 4 Taxis.
A pair of VCRs, as useless as the faded pictures they record, display a frenetic series of events compiled from exploitation films, TV shows, and vintage trailers.
To some extent, a guided tour of a supply store designed for the likes of Richard Prince, Paul McCarthy, Mike Kelley & Co….
“Most of these films were made in a garage or living room with basic equipment and were shot in no time,” say the Cramps. “B movies are like going into a trance: they’ve got soul, but ask no questions.”
The video piece, which lasts 4 hours and 45 minutes in all, was shown in November 1983 at the Sigma Festival in Bordeaux during a 4 Taxis evening, as an appetizer to the issue devoted to Los Angeles.
When everything is fake, it all becomes real.
Many thanks to “l’oreille d’un sourd”, a.k.a. Philippe Garnier.